Or maybe the automobile is squealing along with six cop cars in pursuit. Put a small child behind the wheel, a four-year-old playing around in the driver’s seat who happened to release the brake. But more often, danger and action go together, the kind of action that carries risk.įor instance, a car moving down the street is action, but there’s no inherent danger attached to the movement, so it does nothing to hook the reader. But with a few adjustments, we can make that moving car into something dangerous indeed. Sometimes the most delectable danger in fiction is subtle and conveyed by covert means, as in psychological suspense. Today, we’re going to explore how to use hooks baited with danger to snag and hold reader interest. Reading are tantalized by the scent of danger in our stories, and we’re able to enjoy it from the safety of our beds or beach chairs.Ī good book that pulls us in deep might make us feel like the danger is real, and we often experience it as such, but we can indulge ourselves in it and savor that vicarious thrill because we’re in a protected zone. Try baiting your hooks with the thrill of danger to keep your readers on the line. If you want your readers to not just pick up your book, but keep turning the pages, you need to learn how to write a hook that will draw them through the story so they never want to put it down.
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